The Master Decoder

(Mark Fuhrman's Murder in Brentwood Book)

Discussing the confirmed (by multiple blind tests) codes and decoders that were used by the Iago conspirators to frame O.J. Simpson for murder can get confusing. It is the nature of codes to be confusing to anyone not privy to what they mean who discovers them. An ideal code doesn't even look like what it is, as in Ron Phillips' 1:05 call to Mark Fuhrman and Fuhrman's 5th Bundy note:

5) Handwritten note on upstairs coffee table, “Cara 575-5713 Cal Pizza Kitchen.” Pizza menu by female victim’s left leg.

In these examples the codes are invisible because they seem to go with the normal flow of Phillips' job as the West LA homicide coordinator and Fuhrman's job as the first lead investigator on the case. Despite an unexplained inconsistency with the 1:05 time (does not match the turnaround time in Sgt. Rossi's call to Phillips informing him of the murders) and the ordering and wording of Fuhrman's 5th note, we don't have enough information to tell us that they are codes. For that we need to know to look for codes. We need to know where to look and we need independent confirmation that what we detect is not coincidental or imaginary.

Background Information

The first code that we (Solitairea1, Rovaan and I) were able to identify and confirm was in the Murder in Brentwood Mothers poem photo. While there is a great deal of symbolism associated with that photo, the wilted purple delphiniums standing up in the corner, the larkspur on the ground and the budding larkspur (a kind of delphinium) drawn in pen and ink on the paper propped up like a tombstone, proved to be the key to the code.

The question was whether a woman who clamed on an Internet discussion board to have written that poem really wrote it or whether the indications that Fuhrman wrote it and staged it meant that he did. That question was answered when Solitairea1 and Rovaan went to extraordinary lengths to confirm that the woman did write a Mothers poem that was placed along with purple delphiniums where the Mother's poem and delphiniums in Fuhrman's photo were placed, but her poem was wrapped around the delphiniums in one photo and torn in another with a bouquet of carnations lying on the pavement. There was no doll and no larkspur. The photos that Rovaan found plus a photo that Lollie found proved, among other things, that the Murder in Brentwood photo was not the same one.

Buster suggested that the flowers in the Mothers poem photo could contain a code.

Rovaan noted that at this point in the police investigation there were two ways to go to frame O.J. Simpson: 1) Murder for hire. 2) O.J. did it himself. It depended on the strength or weakness of his alibi on the timeline that made the best case against him. A simple UP or DOWN flower code consistent with the evidence (O.J.'s blood was not yet identified on the murder scene, the Rockingham glove or the socks) would work. Carnations up and delphiniums down would mean "finding evidence" that O.J. hired a hit man (shoe size, stride and hair in the cap and one glove matched Ron Shipp). Delphiniums up and carnations down would mean finding evidence that O.J. committed the murders himself.

If the movies were the blueprints for the murders and the frame-up that they appeared to be they would follow corresponding carnation-delphinium patterns. They do. It is, nevertheless, a safe way to go because you have to study dozens of movies with these themes to see how lopsided the patterns are and how they relate specifically and uniquely to Mark Fuhrman. Only a tiny minority of people can be persuaded to even consider the possibility that this might be true long enough to test it.

This, too, is a recurring theme it the movies. It is based on principles in normal human psychology that produce the same results in real life every time. It's no different in the real world than the characters in Killer Klowns from Outer Space claiming that they saw the killer klowns in action. The normal response to any claim that runs counter to common knowledge and common sense is to ignore the possibility that it is true. That means rejecting the possibility of evidence that proves it.

It's the same principle that elite military forces like the British SAS and their counterparts in the American Armed Forces use routinely to do "the impossible." They exploit the fact that their targets don’t believe they are capable of doing what they can do – that even if someone could theoretically do it, with all the practical risks of disaster, nobody would be “stupid” enough or “crazy” enough to try it. History is full of loser who took this position

The military is therefore an excellent place for a war and history buff with a military background to acquire the uncommon knowledge and sense to commit the Bundy murders according to the evidence that O.J. Simpson was framed. This is the evidence that most people never get to because common knowledge and common sense tell them to reject any claim that a man in O.J.’s position could have been framed. Many people don’t believe in frame-ups, period. Others automatically reject the notion of a conspiracy. Still others can conceive of only a huge conspiracy reaching to the highest levels of government in the case of O.J. Simpson. What you have in effect is a built-in numbers game that favors any group of conspirators outside of those fixed categories of thought.

The evidence that these modes of thinking won’t allow to be examined says otherwise.

Master Code, Sub-codes, Messages, Decoders and Blueprints

The up/down flower code is too personal to Mark Fuhrman to have come from higher authorities. What Rovaan learned about the delphiniums connected to Clint Eastwood (a.k.a. Dirty Harry and Rowdy Yates) the City of Larkspur, and Highway 101 from Seattle, Washington, across the Golden Gate Bridge to Los Angeles, California.

The 101 number put us onto everything significant to Fuhrman that was associated with it including Faye Resnick’s Smokey the Bear key ring. Those associations include the Marine Corps Devil Dog mascot, the Army’s 101st Airborne Division, its history (which is tied up with the 82 and the 173rd) and its home in Ft. Campbell, KY bordering a town where Buster found that Fuhrman owned property.

We were then able to confirm four more coding patterns:

·        Recurring calendar dates

·        Military-aviation time on the Swiss Army watch

·        Voice communication with the military-aviation phonetic alphabet

·        Scrambled letters in words, phrases and music lyrics

This combined information tells us that we are not dealing with separate codes, only separate aspects of one military-aviation master code with calendar date and Scrabble game components.

Having this master code simplifies everything for the people who use it while making it appear from the outside to be too complex for practical application. Below is a proposal for how we can refer to this code and its sub-codes to make them easier for us to discuss.

Coded Messages would pass on the latest intelligence information and set into motion a primary or contingency plan reflecting the existing situation. All such messages can be broken down into five distinct packages. 1) What we anticipated would happen did happen; go with plan A. 2) Something else that we anticipated could happen happened; switch to plan B. 3) Our third anticipated development occurred; switch to plan C. 4) Something that we did not anticipate happened; hold for instructions. 5) Something occurred that will not allow us to proceed successfully; abort.

Decoders in this case would be movie scenes and TV shows, the Swiss Army watch, maps, calendars, coins, bears, birds, logos, phone recodes, music lyrics and the phonetic alphabet.

The Master Decoder is Mark Fuhrman’s Murder in Brentwood book. And that means the same code was in effect for future projects involving the people who knew at least some aspects of the code. Fuhrman used it in every scene of his November 2002 Murder in Greenwich movie, which makes the movie a supplement to the master code.

Blueprints for the master code, the sub-codes, and many of the decoded messages are mostly in the moves. To read them you have to know Mark Fuhrman’s personal history; his full name, initials, birthday and birthplace, his mother’s name and birthday, his military and police records, his war and history memorabilia collections, where he owned property, etc. They are in history and biography books, U.S. Presidents, Shakespearean plays, geography, psychology, mythology, music, posters, rare achievement awards, pilots, bears, birds, Catholic, Masonic and Satanic symbolism.

The code doesn’t tell you everything about the Bundy murders and associated murders. It tells you that Mark Fuhrman knew an awful lot of details about these murders before they happened and that his three “partners” in the O.J investigation shared that coded information before, during and after their official call to duty.  –Jasper