(In progress -- relevant links to come)

Source Material

You can’t go far in the investigation of who killed Nicole Brown Simpson and Ron Lyle Goldman without finding something substantial straight out of Movie and TV Land. These things are not randomly distributed throughout the case. They clump together around cinematic themes, props, costumes, settings, names, characters, actors, holidays, anniversaries and birthdays.  Some of them don’t even exist in the evidence. They exist only in Mark Fuhrman’s interpretation of the evidence, in his words, his staged photos on the crime scenes, and the claims of Brad Roberts, Ron Phillips, Faye Resnick, Ron Shipp, Denise Brown and Bill Pavelic that complement his stories.

All of these stories paint a picture of O.J. Simpson previously found only in Fuhrman’s 1989 “pattern of abuse” letter to the city attorney about the “’85” (actually ’84) baseball bat incident. The quotes that Fuhrman attributed to O.J. and Nicole sound so much like movie dialog between an abusive black pimp and his cowering white whore that you can zoom right in on those movies. Combining the letter with the prevalent story of the 1989 New Years Day incident that prompted the letter, you get one movie – Street Smart.

The movie connections work both ways. If you start with the movies that these Fuhrman and Fuhrmanesque stories point to, you will find things that point right back to Fuhrman. You will find things that you didn’t know were significant to Fuhrman until you saw them highlighted in one movie and repeatedly in related movies.  That’s why you can recreate Fuhrman’s version of the Bundy murders by taking things that the killer left behind and blending them at common cinematic connection points with Fuhrman bell ringers and the people associated with them.

If these were connections you could make repeatedly in relevant, coherent narratives with anyone, you’d be able to do it with your own bell ringers. You can’t unless they overlap Fuhrman’s. You can do it, particularly in regard to the Swiss Army watch code, with Brad Roberts, Ron Phillips, Bill Pavelic – and Michael “Spencer” McClinton.  

There is more than enough overlap in Fuhrman and McClinton signposts to see many of McClinton’s signposts in movies, TV shows, a newspaper article and an issue of Vanity Fair simply by following Fuhrman’s. Using Fuhrman formulas you can also find codes and bell ringers that apply preponderantly to McClinton and the March 21, 1994 bludgeoning death of retired Army Sergeant Major Robert C. Hurd.

While bits and pieces from hundred of news and entertainment sources went into the Brentwood, Greenwich and Las Vegas crime scene evidence, testimony, notes, theories and images, related to Fuhrman, the McClinton-related source list is much shorter. The shorter list makes it possible to simplify the process of

The only 1994 Vanity Fair connections to McClinton are in the March issue. They are closely related to a one-page piece on Ethan Hawke with a frontal head shot and 14 lines of text called Hawke’s Eyes and they are plentiful. But when you list every primary movie connection to McClinton, you’ll see that only four of them were released after March, 1994: Steel (’97), The Stephen King TV mini-series The Shining (’97), King’s The Stand (May ’94) and Murder in Greenwich (2002).

That means Steel with Shaquille O’Neal, The Shining TV mini-series with Melvin Van Peebles and The Stand with Gary Sinise and Jamey Sheridan as Randall Flagg could not have gone into the planning, execution or investigation of the Hurd murder. However, elements from Steel, The Shining mini-series and The Stand do appear in Murder in Greenwich and McClinton’s testimony in the O.J. – C.J. criminal trial in Las Vegas.

Here’s the movie list:

Sergeant Rutledge (’60)

Sweet Jesus, Preacher Man ('73)

Diary of a Hitman (’92)

The Stepfather (’87)

Needful Things (’93)

Steel (’97)

Steel (’79)

Magnum, P.I. (’80-’88)

Baretta (’75-’78)

The Naked Gun (’88)

The Naked Gun 2 ½ (’92)

The Naked Gun 33 1/3 (’94)

Spencer: For Hire (’85-’88)

Star Trek: Deep Space Nine, episode 101 (’93)

Back to the Future II (’89)

Back to the Future III (’90)

The Stranger (’46)

The Prize (’63)

Silver Streak (’74)

The Shining (’80)

The Shining (’97 – TV mini-series)

Moonlighting (’85-’89)

Maniac Cop 2 (’90)

Maniac Cop 3 (’93)

Hill Street Blues (’81-’87)

21 Jump Street (’87- ’91)

Hunter (’84 pilot)

Groundhog Day (’92)

Mad Dog and Glory (’93)

Remington Steele (’82-’87)

Murder in Greenwich (2002)

Robocop: TV “The Future of Law Enforcement” (March, 1994)

The Adventures of Brisco County, Jr. (’93)

Dragnet 1967: “The Hammer”

Dragnet 1967 “The Gun”

A Midnight Clear (’92)